Barabudur: Archaeological Description
₹1,800.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹1,800.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹1,800.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹1,800.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹5,000.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹5,000.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹5,000.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹5,000.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹5,000.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Barabudur: Archaeological Description
₹5,000.00
Barabudur, the most magnificent monument in Java, Indonesia, is a colossal structure justly regarded as a veritable wonder by the whole world. This noble architecture, built in the early ninth century A.D. consists of nine gradualy receding terraces, three uppermost ones being encircled by rings of stupas, each containing an image of the Buddha within a perforated framework. The five lower terraces are encircled by four successive galleries which contain eleven series of sculptured panels depicting the life of the Buddha and other Buddhist stories. The total number of sculptured panels in the galleries is about 1500. Not only this massive grandeur but the fine quality of the immense decorations, extensive relief sculptures and the numerous images of the Buddha deeply impress any visitor. The combination of massive quantity and fine quality invests Barabudur with a unique character. It has hardly any parallel in the world, and it may be truly remarked of its artists that 'they conceived like giants and finished like jewellers'. The life of the Buddha and other Buddhist stories depicted on the sculptures of Barabudur are not the imagination of the artists but based on the imagination of Sarvastivada and Vajrayana schools of Buddhism and are directly related to the ancient texts like Avadanas, Jatakas, Jatakamala, Gandavyuhastura, etc. A complete explanation of all that is depicted in this most splendid creation of HinduJavan culture was, therefore, not very easy, though efforts had been made since the beginning of the present century. It was possible thanks to the interest and enthusiasm of the then Government of the Netherlands. A complete series of photographs of the monument were made between 1907 and 1911. Then Koninklijk Institut vooi de Taat, Landen Volkenkunde van NederLandschIndie was commissioned to publish the archaeological and architectural descriptions of Barabudur. The result of this project was the publication of a monograph in Dutch, in two volumes, the archaeological part by Nicholas Johannes Krom and the architectural part by T. Van Erp, with photographs in three big folios. The work well represents the quantity and quality of the subject it deals with. The author of the archaeological part has recorded all that is known about the significance of Barabudur and what could be gained from the original sources mentioned above. An English edition of the archaeological part, in very limited copies, was issued, in 1927, in two volumes with 442 plates of photographs which is long out of print. The present publication if an photographic reproduction of the 1927 English edition in its entirety of the text and the illustrations.
Bashgali Dictionary
₹180.00
Roots ali is an IndoEuropean Language of the Kafir group, which retains much of its archaeic features. Therefore, it occupies an important place in IndoEuropean Philology and deserves full attention of the linguists. Colonel J. Davidson was the first among the European linguists to Study the structure and the Vocabulary of the language and compiled a work under title, Notes on the Bashgali language, as early as 1902. The materials contained in his Notes are valuable but could not be much useful for a detailed study of the language. Sten Konow, a renowned scholar of Sanskrit, Prakrit and Indian linguistics, attempted a detailed analysis of the notes of Col. Davidson and organized the Material into a dictionary of the Bashgali language which is presented in the following pages. A practical alphabetical arrangement has been followed in the dictionary which is based on the order of the consonants without any regard to the vowels. The latter came into consideration only in cases when the same consonants are followed or separated by different vowels Under each word, several instances of its use have been recorded with English translation. In the case of nouns, the different cases have been distinguished according to the Grammar. The Verbal Roots have been given a full and scientific treatment, showing the distinguished forms in Infinitive, Verbal noun. Present participle, Past participle, Present indefinite, different present and past forms, etc. Casual and passive forms have been included at proper places. It is hoped that the publication will prove to be of great Research value to IndoEuropean linguistics.
Bashgali Dictionary
₹180.00
Roots ali is an IndoEuropean Language of the Kafir group, which retains much of its archaeic features. Therefore, it occupies an important place in IndoEuropean Philology and deserves full attention of the linguists. Colonel J. Davidson was the first among the European linguists to Study the structure and the Vocabulary of the language and compiled a work under title, Notes on the Bashgali language, as early as 1902. The materials contained in his Notes are valuable but could not be much useful for a detailed study of the language. Sten Konow, a renowned scholar of Sanskrit, Prakrit and Indian linguistics, attempted a detailed analysis of the notes of Col. Davidson and organized the Material into a dictionary of the Bashgali language which is presented in the following pages. A practical alphabetical arrangement has been followed in the dictionary which is based on the order of the consonants without any regard to the vowels. The latter came into consideration only in cases when the same consonants are followed or separated by different vowels Under each word, several instances of its use have been recorded with English translation. In the case of nouns, the different cases have been distinguished according to the Grammar. The Verbal Roots have been given a full and scientific treatment, showing the distinguished forms in Infinitive, Verbal noun. Present participle, Past participle, Present indefinite, different present and past forms, etc. Casual and passive forms have been included at proper places. It is hoped that the publication will prove to be of great Research value to IndoEuropean linguistics.
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Basic Principles of Soil And Water Conservation Engineering Practices
Year of Publication 2
Original price was: ₹250.00.₹220.00Current price is: ₹220.00.
Basic Principles of Soil And Water Conservation Engineering Practices By Er. Ashwani Kumar Baranwal, Er. Shesh Nath Rawat
-12%
Basic Principles of Soil And Water Conservation Engineering Practices
Original price was: ₹250.00.₹220.00Current price is: ₹220.00.
Basic Principles of Soil And Water Conservation Engineering Practices By Er. Ashwani Kumar Baranwal, Er. Shesh Nath Rawat
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Basics Of Agrochemical Formulations
Original price was: ₹595.00.₹506.00Current price is: ₹506.00.
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Basics Of Agrochemical Formulations
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Basics Of Experimental Plant Pathology
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Basics Of Molecular Biology
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Basics Of Molecular Biology
Original price was: ₹1,495.00.₹1,271.00Current price is: ₹1,271.00.